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Home / News / humaneco / The Ethics of luxury


Today, in this age of overabundance, luxury can once again become an ethical choice, just as it was back then. Indeed, even more so.

In our current way of life, characterised by a voracious appetite for trends and disposable goods, choosing to invest in value is an act of conscious resistance.

The illusion of possessing luxury is what makes us feel either in or out of the celebrities’ party – the entry ticket, the stamp on the inside of our wrist. Ethics, in this distorted context, is the extent to which we can demonstrate the authenticity of our status – the winking nod from the doorman inviting us in. You in, you out.

We are increasingly confusing value with price, convincing ourselves that the affordability of an object, a fashion trend, or – in fact – an excess is an advantage, a privilege. An achievement, we are keen to point out, that is by no means democratic.

We will pay for it – the sum of the costs – and the bill will be rather steep: an impoverished and weary future, corroded by the opulence of the present. Tomorrow risks being born bereft of value and the energy even to be imagined, let alone rebuilt.

True contemporary luxury lies in what is designed and crafted to endure or to last forever. Resistance to wear and tear, the proud nobility of a material that withstands the passing of the years without losing its integrity.

Nesite’s production is rooted in a sustainable and innovative vision: to design for the long term. From Monday to Sunday, for yet another floor, another room, another life. Every panel is designed to be lifted, repositioned and maintained over time, without needing to be demolished or disposed of.

Its modular, accessible and inspectable nature allows the space to change, to evolve, to accommodate new technologies or new uses, eliminating waste, rubbish and the discarding of the old.

And it’s never really ‘old’, anyway.


The Ethics of luxury | Umaneco by Nesite ©all rights reserved

Texts edited by Chiara Foffano – Illustrations by Ariele Pirona

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